Overrun by panic and restlessness, my multidisciplinary practice is an autobiographical retelling of my challenges and consciousness through a distorted dystopian lens. Exaggerating anxieties with themes of the Grotesque, Abject and the Uncanny, my pieces persistently play with organic forms and matter, using my own skin as a physical medium for sculpture. Pushing boundaries using the absence and presence of a material, audiences are compelled into a voyeuristic experience, visualising my past intimately.

Working with ceramics; latex, live casting, resin and moving image, alongside human skin, my practice propels fragility and sterility yet a sensation of uncertainty and inhuman existence, questioning safety. By hand-sculpting ceramics to depict the everyday, narratives are controlled, and viewer’s perception of familiar objects transformed. Made to be featured within installations, my practice uses the ambience of its environment to communicate with the individual works.