As a black Caribbean, queer, and neurodivergent artist, my work exists at the intersection of personal identity and collective experience. My practice spans painting, sculpture, writing, and performance, with a deep focus on exploring the tension between vulnerability and resilience.

Guided by the theme of “turning the inside out,” my creations often delve into the subconscious, reflecting the psychological and societal fractures that shape our lives. My early paintings were visceral depictions of the hallucinations I experienced—eyes, mouths, and hands that simultaneously menace and mesmerize. In recent years, my work has expanded into ceramics, installations, and interactive pieces that blur the lines between “Kawaii (cute)” and “Kowai (creepy),” reflecting a fascination with the dualities of beauty and fear, intimacy and alienation.

Through an embrace of imperfection and raw emotion, I investigate themes of sexuality, social constructs, and mental health. My practice is deeply informed by my lived experience and a desire to challenge narratives surrounding marginalization and identity.

For me, art is both a catharsis and a dialogue—a way to confront the unsettling while inviting others to find connection and empathy within the cracks of humanity.